"'No Rules this time" Gear up for Sicario: Day of the Soldado. This action thriller film directed by Stefano Sollima and written by Taylor Sheridan. It is the sequel to 2015's Sicario. The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
"Soldado MF /Sol.'Da.Do/. (Dia do Soldado) used to describe a Latin-American soldier; In Spanish and Portuguese, Soldado means Soldier." In September 2015, after the release of Sicario, Lionsgate commissioned a sequel centering on Benecio del Toro's character, Alejandro Gillick, with a script penned by Sheridan, and Denis Villeneuve initially set to direct. However, due to scheduling conflicts with Arrival (2016) and Blade Runner 2049 (2017), Villeneuve could not return to direct. Jeremy Saulnier was considered to replace Villeneuve, but declined due to scheduling conflicts with Hold the Dark (2018). In April 2016, the producers said del Toro, Josh Brolin and Emily Blunt would return. However, in November 2016, del Toro and Brolin were confirmed, but Blunt was no longer attached. By Early June 2016, Sollima was hired to direct what was now titled Soldado. In late October, Lionsgate lost the distribution rights from Black Label Media after a disagreement. Ultimately, Columbia Pictures won the rights. By January 2017, Catherine Keener, Isabela Moner, David Castaneda, Manuel Garcia-Rulfo, Jeffrey Donovan, Elijah Rodriguez, Matthew Modine and Ian Bohen joined the cast. Principal photography began in early November 2016 in New Mexico. After Jóhann Jóhannsson's death in February 2018, Hildur Guðnadóttir took over as composer, after collaborating with Jóhannsson on the first film as cello soloist.
The film features del Toro, Brolin, and Donovan reprising their roles, with Moner, Garcia-Rulfo, and Keener. The cast, both old and new, gave intense performances that takes their characters into new and uncertain territories. Del Toro gives it his all and turns in another stellar performance as the enigmatic Mexican attorney-turned-hitman. Along with del Toro is the morally-ambiguous Brolin, who seems to have taken somewhat of a backseat given his character's place in the story, and thus has made it less interesting.
Sicario: Day of the Soldado didn't seem quite so lively, quite so fresh, or quite so intellectually interesting as its predecessor. The film is composed of situations, not plots. The fact that this film is constructed to endorse the exercise of murderers, to emphasize killer bravado and generate glee in frantic manifestations of war is, to my mind, a sharp indictment of it as so-called entertainment today. The film is not great film-making. But it is fun enough. Don't miss it. This is to say, don't miss it if you can still get the least bit of fun out of muted action and politically-cliched drama with its melodramatization and exaggeration on America's desperate war on cartels with morally-ambiguous and sinister characters on both sides driven to a grand, gritty, illogical and improbable point.
Simon says Sicario: Day of the Soldado receives: