Wednesday, 30 December 2015

Film Review: "Chi-Raq" (2015).

"No peace, no piece." This is Chi-Raq. This musical crime drama joint produced and directed by Spike Lee, co-written by Lee and Kevin Willmott, loosely based on Aristophanes' Lysistrata. After the shooting death of a child hit by a stray bullet, a group of women led by Lysistrata organize against the on-going violence in Chicago's Southside creating a movement that challenges the nature of race, sex and violence in America and around the world.

Rapper Kanye West was originally supposed to star in the film but dropped out, possibly due to scheduling conflicts. In early May 2015, the project had an open casting call and hired many local actors in Chicago. Principal photography commenced in June 2015 and continued production through July. By late July, it was announced that La La Anthony, Nick Cannon, Wesley Snipes, Teyonah Parris, Jennifer Hudson, Angela Bassett, John Cusack, and Samuel L. Jackson had been cast in the film. The film saw Lee reuniting with Bassett, Jackson, and Snipes, having worked with all three actors on such earlier films as Mo Better Blues, Jungle Fever and Malcolm X. In November, Amazon Studios announced that the film would be its first original film to be release through their streaming service. Pronounced "shy-RACK", the title is a portmanteau of "Iraq" and "Chicago", used by South Side Chicago residents to refer to the area comparing it to a war zone, due to its high crime rates. Chicago mayor Rahm Emanuel had serious reservations with the title, and asked Lee to change it, thinking it would hurt the city's image.

It stars Cannon, Snipes, Parris, Hudson, Bassett, Cusack, and Jackson. The cast gave terrific performances, especially Parris. Through the entire film, Parris portrays Lysistrata as a determined, independent, and sexually strong character who takes a firm stance, and convinces her fellow women, to withhold sex from men as punishment to end gun violence. The most striking thing about Lysistrata’s demeanour is how strong and determined she is, how driven she looks and sounds. This unnerving authenticity is partly testament to Parris’ ability to give a performance such as this one.

Chi-Raq uses Greek literature to offer bitingly trenchant commentary on gun violence. Spike Lee's latest is all about America's current problem with gun violence, and the film's central concerns – from 2001, homicides in Chicago have surpassed the death toll of American special forces in Iraq with a recorded 7356 murders, all due to gun violence - feel viscerally relevant. It testifies to a stark and discomforting truth. Don’t sleep on this movie. It may be far more funny than it is frightening than intended. A fledgling Spike Lee work, to say the least. More interesting than good. Nevertheless, it packages such weighty and ultra-relevant subjects into the form of a wildly uneven but consistently entertaining night at the movies. All the elements of an interesting yarn are implicit here. From the start, it was less important whether or not you agreed with Lee than if you appreciated him for stirring things up.

Simon says Chi-Raq receives:

Also, see my review for Oldboy (2013).

Tuesday, 29 December 2015

Film Review: "Joy" (2015).

"Based on a true story of inspirational women. One in Particular", and it is exactly that with Joy. This biographical comedy-drama film written and directed by David O. Russell about the title character, Joy, a self-made millionaire who rose to become a powerful matriarch and created her own family business empire / dynasty. The film is a semi-fictional and inspirational portrayal of Joy Mangano and how she overcame personal and professional obstacles to rise to the top.

In January 2014, it was announced that David O. Russell's upcoming project would entail rewriting and directing a drama film about American inventor and entrepreneur Joy Mangano. The original script was written by Annie Mumolo. Mumolo's original script featured the story of the Miracle Mop and Mangano. It would have served as a more accurate and faithful interpretation of her life. However when Russell came onto the project, he added much more supporting characters and interwove Mangano's original biography with stories of other women daring to change their lives so much that only the basic plot outline still resembles Mangano's story (from working mother to business woman). Therefore, despite earlier reports about the film, this is not a biographical film about Mangano. Furthermore, Russell even admitted he was in no hurry to meet Mangano in real-life during the filming process, because he wanted to make the movie his own way, only speaking to her on the phone. Also, Joy's last name in the film is never given, the Miracle Mop remains unnamed in the film and movie Joy is not from Mangano's native Smithtown, on the North Shore of Long Island, New York.

The film stars Jennifer Lawrence as Joy, Robert De Niro, Bradley Cooper, Édgar Ramirez, Diane Ladd, Virginia Madsen, Isabella Rossellini and Elisabeth Röhm. The cast gave terrific performances, especially to Lawrence. But the cast, and their counterparts, can talk all they want, but nothing the characters say alters the simplistic melodramatic mechanism.

Joy is an utter mess. This feverish feminist rags-to-riches address finds Russell tossing everything that doesn't matter - and more - into the pot, and producing a pretty indigestible and very messy stew. Despite an outstanding cast of actors and some notable moments, I never cared enough to believe that this movie was anything other than pretentious. While Russell may have ambition to admire and career-risking courage to respect, the sad truth is his new movie has almost nothing to heart. In this chaotic style of Hollywood moviemaking, plot resolutions are thrown at you as if someone is spoon-feeding you throughout the entire film. I have no idea what Russell was trying to accomplish with this messy movie. I liked some moments, but I can't say that I loved the film as a whole. If you get the impression that this is all too precious and contrived for a Hollywood film, you're not far from the mark. The film gets crazy and seems unconnected. By the end, it never binds into a satisfying whole and it mostly left me cold. Go see it and judge for yourself. But then again, I can't recommend it wholeheartedly.

Simon says Joy receives

Also, see my review for American Hustle.

Sunday, 20 December 2015

Film Review: "The Peanuts Movie" (2015).

"Dream big", this is synonymous with the world and characters of Charles M. Schulz and now have been brought to the big screen with The Peanuts Movie. This 3D computer-animated comedy film directed by Steve Martino, written by Craig and Bryan Schulz (Schulz's son and grandson, respectively), and Cornelius Uliano and produced by Blue Sky Studios. Based on Schulz's comic strip Peanuts. It is the fifth full-length Peanuts film, and the first feature film in 35 yearsafter A Boy Named Charlie Brown (1969), Snoopy Come Home (1972), Race for Your Life, Charlie Brown (1977), and Bon Voyage, Charlie Brown (and Don't Come Back!!) (1980). It commemorates the 65th anniversary of the comic strip and 50th anniversary of the TV special A Charlie Brown Christmas. Charlie Brown, Snoopy, Lucy, Linus and the rest of the beloved Peanuts gang make their big-screen debut, like they've never been seen before. Charlie Brown, the world's most beloved underdog, embarks upon an epic and heroic quest, while his best pal, the lovable beagle Snoopy, takes to the skies to pursue his arch-nemesis, the Red Baron.

Peanuts is a syndicated daily and Sunday American comic strip written and illustrated by Charles M. Schulz, which ran from October 2, 1950, to February 13, 2000, continuing in reruns afterward. The strip is the most popular and influential comic strips in history, with 17,897 strips published in all, making it "arguably the longest story ever told by one human being". At its peak, Peanuts ran in over 2,600 newspapers, with a readership of 355 million in 75 countries, and was translated into 21 languages. It helped to cement the four-panel gag strip as the standard in the United States, and together with its merchandise earned Schulz more than $1 billion. Reprints of the strip are still syndicated and run in almost every U.S. newspaper. The strip focuses entirely on main character, Charlie Brown, his dog Snoopy and the Peanuts gang. Peanuts is one of the literate strips that flourished in the 1950s. Peanuts achieved considerable success with its television specials, several of which, including A Charlie Brown Christmas and It's the Great Pumpkin, Charlie Brown, won or were nominated for Emmy Awards. The holiday specials remain popular and are currently broadcast on ABC in the U.S. during the corresponding seasons. The Peanuts franchise met acclaim in theatre, with the stage musical You're a Good Man, Charlie Brown being a successful and often-performed production.

In 2006, six years after the release of the last original Peanuts strip, as well as the death of creator Charles M. Schulz, his son Craig Schulz came up with an idea for a Peanuts film, which he showed to his screenwriter son Bryan Schulz. "I was happy to show my son," Craig said. "He showed me how to make it bigger—how to blow it up more—and he helped me put in structure." When presenting their film to studios, Craig stipulated that the film remain under Schulz control, saying, "We need[ed] to have absolute quality control and keep it under Dad's legacy... You can't bring people in from the outside and expect them to understand Peanuts." In October 2012, it was announced that 20th Century Fox and Blue Sky Studios were developing a 3D computer-animated feature film based on the strip, with Steve Martino directing from the screenplay by Craig Schulz, Bryan Schulz, and Cornelius Uliano. Craig, Bryan, and Uliano also produced. Craig chose Martino as director because he showed faithfulness to literature in his adaptation of Dr. Seuss' Horton Hears a Who! (2008)Various steps were taken with the animation to emulate the original look and feel of the comics and the previous animated specials. For example, the trees and other foliage in the background are static and never billow or sway in the wind. Even on the characters, their animation appears "jagged" and skippy. This was done to emulate the low quality hand drawn animation that the Peanuts television specials were known for. Martino and his animators spent over a year looking at Schulz's original drawing style to help translate the "hand-drawn warmth... into the cool pixel-precision of CGI" without the fear of something getting lost in translation. In addition to receiving the rights to use Bill Melendez's voice for Snoopy and Woodstock, Martino was also able to get the rights to archive music from previous Peanuts specials.

Hollywood has finally found the key to bringing a Charles M. Schulz story to life with The Peanuts Movie. It is a frequently beguiling fantasy packed with ticklish sights and vocals. Peanuts started as a comic strip, to make it a feature just seemed unlikely. But the magic of Schulz is there. It's got the look and the flair. Taking on Schulz has proven a challenge for Hollywood, but a nice balance has been struck here between authenticity and new ideas. This one's a winner. Schulz's imagination has never gone out of style. What is most remarkable about this film is the fidelity it retains to Schulz' work and intentions. After overcooked Pixar films and nauseating Disney flicks, Hollywood has finally served up a tasty adaptation of Peanuts. The filmmakers capture the whimsy of Schulz's drawings and add a nice tactile feel. The film succeeds where other 3D animated adaptions have fallen short, most notably by using animation -- fluid, elastic, genuinely Schulman animation - to tell the story. Lovely and only marred by a slightly sagging middle and a gratuitous, tacked on pop song finale. Even if the film can't shine like some of cinema's greatest animated films, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold. In addition, the film adds a manic spin that strains to convey far too many moral messages. It is perfect for children, for adults not so much. Despite the stretch of adapting Schulz's tale to a feature movie, Schulz's original story and the world he created, plus some particularly winning characters, put the film on the top of the best animated film of the year. In the end, the film is sweet and really memorable.

Simon says The Peanuts Movie receives:

Also, see my review for Rio 2.

Friday, 18 December 2015

Film Review: "Star Wars: The Force Awakens" (2015).

The line "Chewie, we're home" perfectly sums up our return to the galaxy far far away with Star Wars: The Force Awakens. This epic space opera film, and the seventh installment in the Star Wars saga, co-written, co-produced and directed by J. J. Abrams, and created by George Lucas. The movie is a continuation of the saga and is set thirty years after Star Wars: Episode VI - Return of the Jedi (1983).

Ever since Lucas sold his production company Lucasfilm to Disney in October 2012, the prospect of a return to the galaxy far far away had every die-hard Star Wars fan excited. Lucas would serve as creative consultant on the film. Among the materials he turned over to the production team were his rough story treatments for Episodes VII–IX. However, he later stated that Disney had discarded his story ideas and that he had had no further involvement with the film. Episode VII's first screenplay was written by Michael Arndt. Several of Hollywood’s top directors were considered to helm the project. J. J. Abrams was also among them. Ironically, Abrams, like others, passed on the project. After publicly declining to direct the film, Abrams was visited at his Bad Robot office by the new President of Lucasfilm Kathleen Kennedy. Their negotiations lasted over a month, during which time. In January 2013, he was finally announced as the director of Episode VII, with Lawrence Kasdan and Simon Kinberg as project consultants. In October, 2013, Arndt departed from the project, and Kasdan and Abrams took over script duties. In January 2014, Abrams confirmed that the script was complete.

In May 2013, confirmation was revealed that Episode VII would be filmed in the United Kingdom. Beginning in September 2013, production spaces at the Bad Robot facility were converted for shooting of Episode VII for the benefit of shooting a minor portion of the film in the United States. In August 2013, it was announced by Abrams' cinematographer Daniel Mindel that the movie will be shot on 35 mm film (specifically Kodak 5219). Casting commenced in August 2013, with Abrams meeting with potential actors for script readings and screen tests. Open auditions were held in the UK, Ireland, and the United States in November 2013. Screen tests with actors continued until at least three weeks before the official announcement on April 29, 2014, with final casting decisions being made only a few weeks prior. Actors testing had strict non-disclosure agreements, preventing them, their agents or publicists from commenting on their potential involvement. Though Lucas intimated that previous cast members Carrie Fisher, Harrison Ford, and Mark Hamill would return for the new film as early as March 2013, their casting was not confirmed until over a year later. Several known actors auditioned for the three leads. Also among them were newcomers Daisy Ridley and John Boyega. Adam Driver also auditioned for an unnamed villain. By March 2014, talks with Andy Serkis and Oscar Isaac began and continued into April 2014. Because of the secretive nature surrounding the film, several cast members found out that they had gotten parts in the film with very short notice. On April 29, 2014, the cast was announced with a photo of the first table read of the script at Pinewood Studios near London, picturing Abrams with Ford, Ridley, Fisher, Peter Mayhew, producer Bryan Burk, Kennedy, Domhnall Gleeson, Anthony Daniels, Hamill, Serkis, Isaac, Boyega, Driver, and Kasdan. Not pictured but included in the cast were Max von Sydow and Kenny Baker. The announcement was originally planned for May 4 (Star Wars Day), but was announced early due to fears of media leaks. In June 2014, Lupita Nyong'o and Gwendoline Christie were announced in the cast.

In February 2014, Abrams said filming would begin in May and last about three months. The official announcement came on March 18, when Disney and Lucasfilm announced that principal photography would commence in May and be based at Pinewood Studios in Buckinghamshire, England. In March, it was revealed that pre-production filming would be taking place in Iceland prior to the start of official filming in May, consisting of landscape shots which would be used for scenery in the film. On April 2, Walt Disney Studios chairman Alan Horn confirmed that filming had begun in Abu Dhabi by a second-unit crew. Later that month, it was revealed that in addition to 35mm film, segments of the film were being shot in the 65mm IMAX format. On July 8, Bad Robot reported on Twitter that the film would be at least partially shot on IMAX cameras. Principal photography began in Abu Dhabi on May 16, 2014. Abrams and members of the cast went to Abu Dhabi in early May, where large sets were built at the location, including a shuttle-like spacecraft, a large tower and a big market, and explosives were used to create a "blast crater". Production moved to Pinewood Studios in June. On June 12, Harrison Ford broke his ankle after the hydraulic door of the Millennium Falcon fell on him. He was taken to a hospital. Production was suspended for two weeks to accommodate Ford's injury. About a year later, Abrams revealed that he broke his back while trying to help get Ford out from under the door. He kept this to himself and did not tell anyone about it for over a month. On July 29, 2014, filming took place over three days at Skellig Michael Island off the coast of County Kerry in Ireland with a cast including Hamill and Ridley. Production was halted for two weeks in early August 2014 so Abrams could rework shooting in Ford's absence and resumed with a fully healed Ford during mid-August. In September 2014, the former RAF Greenham Common military base in Berkshire, near Pinewood Studios, was used as a filming location and featured set constructions of several spaceships from the Star Wars Universe. Principal photography ended on November 3, 2014.

On November 6, 2014, the film's title was announced as Star Wars: The Force Awakens. In July 2013, John Williams was confirmed to compose the score. He began writing working on the film in December 2014, and by June 2015 had been through most of the film reels, working on a daily basis. Recording sessions for The Force Awakens began in June 2015 at the Sony Pictures Studios' Barbra Streisand Scoring Stage in Culver City, with William Ross conducting most of the music. And was completed on November 14. In August 2015, Abrams gave the estimated running time of the film as 124–125 minutes. On November 28, 2014, Lucasfilm released a 90-second teaser trailer to promote The Force Awakens. It was screened in selected cinemas across the United States and Canada and in theaters worldwide in December 2014. It generated a record 58.2 million views on YouTube in its first week. On April 16, 2015, a second teaser trailer, this one lasting two minutes, was shown at the opening panel at the Star Wars Celebration in Anaheim, California. The trailer was viewed over 88 million times within the first 24 hours of release, breaking the record of 62 million held by Furious 7 (2015) in November 2014. Advance ticket sales for the film began on October 19, 2015, and were in strong demand, resulting in online movie ticket sites crashing. In total it sold over $50 million in pre-sales breaking the record previously held by the 2012 films The Hunger Games and The Dark Knight Rises ($25 million). This number was raised to $100 million including $50–60 million in advance ticket sales by December 14.

The film stars Ford, Hamill, Fisher, Driver, Ridley, Boyega, Isaac, Nyong'o, Serkis, Gleeson, Daniels, Mayhew, and von Sydow. The entire cast gave equally strong performances. The story of the cast of characters are brought thrillingly to life by a new generation, who gave inspired, utterly unselfconscious and lovable performances, with power, passion and some cracking comic timing. As for the original cast, they fit into the film so perfectly. It was as though, the old glove still fits. It has been over 30 years we last saw them. But they have not changed a bit.

Star Wars: The Force Awakens reignites a classic franchise with action, humor, story, and brilliant visuals, and will please traditional fans and new fans alike. Emotionally, it hits every one of its marks, functioning as a family reunion that extends across decades, entertainment mediums, even blurring the line between audience and show. Trading on affections sustained over 30 years of popular culture, the film does what a franchise reboot rarely does. It reminds us why we loved these characters in the first place. It's also a testament to cinema's power as mythmaker, as a source for some of the fundamental stories we tell about ourselves, who we are and where we came from. It is a gift to those of us who loved the original trilogy. Although derivative for almost all the time, borderline copying beat-by-beat of A New Hope, the film is an epic expansive and ambitious continuation to the legendary sci-fi saga.

Simon says Star Wars: The Force Awakens receives:

Also, see my review for Star Trek Into Darkness.

Tuesday, 15 December 2015

Film Review: "Krampus" (2015).

The tagline of the oil reads "You don't want to be on his list." And this very true for Krampus. This horror comedy film based upon the eponymous character from Germanic folklore, directed by Michael Dougherty and written by Dougherty, Todd Casey, and Zach Shields. When his dysfunctional family clashes over the holidays, young Max is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers. All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family's home and forcing them to fight for each other if they hope to survive.

His name is everywhere, but who is Krampus? Born out of Pagan folklore and embraced by ancient Germanic cultures, this fearsome companion of Saint Nicholas punishes misbehaving children by swatting them with branches, putting them in a bag and dragging them to Hell. Bearing massive horns and hoofs for feet, Krampus has terrified children for centuries. The film was in development for a number of years since the release of Dougherty's cult hit Trick 'r Treat (2007), until the film went into production in 2012. Dougherty describes the Krampus in this film as Santa Claus's shadow: "He's not the unstoppable monster that kicks down your door and rampages and grabs you. There's something darkly playful about him. He's having a good time doing what he does and he enjoys the cat-and-mouse aspect of it." The Creature effects were made by Weta Workshop. For Krampus' design was distilled from various postcards and illustrations of the creature over the years. The film was originally to release on November 25 but was pushed forward to December 4 to coincide with the Krampusnacht, a traditional Austrian festival held on December 5 that celebrates the Krampus coming to punish naughty children. 
The film stars Adam Scott, Toni Collette, David Koechner, Conchata Ferrell, Emjay Anthony, Stefania LaVie Owen, and Krista Stadler. The cast terrific performances despite playing the most unlikable and depressing lot of characters I have ever seen. However, you empathise with their plight and you root for them when Krampus comes to town.

Krampus is fun and full of sly series of send-ups. A wildly original roller-coaster ride of hilarious horror. A horror-comedy about an ancient folklore who turns out to be a murderous monster wreaking havoc on a suburban neighbourhood. There is satire here: a sense of silly but thoughtful consideration on the Christmas traditions and how easily all the relatable facades crumble as a consequence of simple illusions being so easily shattered. An entertaining and original horror film with top notch effects, a great villain, and a brilliant score. Here's the season's most delicious and unexpected surprise. Think of A Christmas Carol visited by the Devil. Think of The Muppet Movie run amok. Imagine a twisted mind splicing It's a Wonderful Life with Gremlins.

Simon says Krampus receives:

Tuesday, 8 December 2015

Film Review: "In the Heart of the Sea" (2015).

"Based on the incredible true story that inspired the myth Moby Dick." This is what In the Heart of the Sea delivers. This biographical adventure thriller film directed by Ron Howard, adapted by Charles Leavitt, based on Nathaniel Philbrick's 2000 non-fiction book of the same name, about the sinking of the American whaling ship Essex in 1820, that inspired the tale of Moby-Dick. In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville's Moby-Dick. But that told only half the story. The film reveals the encounter's harrowing aftermath, as the ship's surviving crew is pushed to their limits and forced to do the unthinkable to stay alive.

The tragedy of The Essex has become legendary. But unbeknownst to people, The Essex was also linked to another unlikely story. During its expedition, The Essex crew attempted to reach Mas a Tierra island, in the Juan Fernandez Archipelago. Over 100 years earlier, Scotsman Alexander Selkirk had his own ordeal stranded on that island. His story was the basis for Daniel Defoe's Robinson Crusoe. The start of this venture began in 2000, when Barry Levinson was set to direct and was going to be distributed by Miramar. Eventually, Howard took over the reins. Principal photography began in September 2013 in London and at Leavesden Studios in Hertfordshire, United Kingdom. Additional locations included were the islands of La Gomera and Lanzarote in the Canary Islands, Spain. Coincidently, Moby Dick (1956), directed by John Huston, was also shot in the Canaries. During at one point of filming, the cast and crew were forced to retreat to their hotel due to a storm off the Canary Islands which turned into a rare flash flood. The production shut down for a day and a half, expanding the shoot to 73 days, exactly as filmmakers expected. For the storm scenes, the production team built a water tank at Leavesden Studios, where a deck was built on top of a gimbal to mimic the pitch of a storm. To get the right effect, 500 gallons of icy water were poured from cannons.

The film stars Chris Hemsworth, Benjamin Walker, Cillian Murphy, Tom Holland, Ben Whishaw, and Brendan Gleeson. The cast gave spectacular performances and went all the way - emotionally and physically. According to Chris Hemsworth in an interview with Jimmy Kimmel, to prepare for the role of starving sailors, the cast were on a diet of 500-600 calories a day to lose weight.

A spectacular, monster of an adventure, In the Heart of the Sea is a finely crafted adventure story with exhilarating ocean sequences and strong performances from Chris Hemsworth, Benjamin Walker, Brendan Gleeson and Tom Holland. However, it may favour spectacle in place of the deeper themes in Nathaniel Philbrick's novel, but it still makes for a grand adventure film.

Simon says In the Heart of the Sea receives:

Also, see my review for Rush.

Sunday, 6 December 2015

Film Review: "Goosebumps" (2015).

From the trailer, Stine warns us "All the monsters I've ever created are locked inside these books. But when they open..." You get Goosebumps. This horror comedy film based on the children's book series of the same name by R. L. Stine. It was directed by Rob Letterman, and written by Darren Lemke, from a story by Scott Alexander and Larry Kraszewski. A teenager teams up with the daughter of young adult horror author R. L. Stine after the writer's imaginary demons are set free on the town of Madison, Delaware.

The first attempt at a Goosebumps film goes back to 1998, when Tim Burton was originally attached to produce and direct. During the 1990s, George A. Romero was hired to adapt the book series into a single film and even finished a draft. However, both films did not materialize since they could not find a script they liked or determine which book or monster to adapt. In 2008, Columbia Pictures acquired rights to create a Goosebumps film. Neal Moritz and Deborah Forte were chosen to produce the film. Later Scott Alexander and Larry Kraszewski, the screenwriting team behind Ed Wood (1994) and Big Eyes (2014), were hired to pen the script. The duo decided against adapting any one book in the series, feeling the individual books in the series were too short. Thinking of ways to create a universe where all the creatures in the books could live together, they elected to do a fake biographical film where R. L. Stine writes a book and the monsters within it become real. In January 2012, it was reported that a new draft of the screenplay would be written by Darren Lemke (Shrek Forever After (2010) and Jack the Giant Slayer (2013)). In November 2012, Stine expressed pessimism about the prospect of the film, saying that he would believe that a film can be based on his Goosebumps series when he sees it. When it came to casting the monsters, some monsters were cut for budgetary reasons, but director Letterman stated that the crew tried to choose the monsters most appropriate to the story. Letterman also stated that he tried to combine both humour and horror in the film, commenting that "[t]he books themselves are legitimately scary, but they’re legitimately funny, and we try to capture that."

The film stars Jack Black, Dylan Minnette, Odeya Rush, Amy Ryan, Ryan Lee, Jillian Bell, and Halston Sage. The cast gave entertaining performances despite being filled with cliches and predictability. However, the most important element they struggled to capture was the childlike horror-driven characterisations from Stine's books.

Goosebumps is not only fun, but also a sly series of send-ups, effectively parodying many elemental film storylines. The film follows a great tradition of horror comedies full of sick jokes. A wild roller-coaster ride of hilarious mischief. However, the human characters are little more than camp for the mechanics. In addition, the film is not as idiosyncratic and peculiar as the books. Nonetheless, the film tries very hard in reproducing the scare level that comes from reading Stine's books. It's a good movie.

Simon says Goosebumps receives:

Saturday, 5 December 2015

Film Review: "A Very Murray Christmas"

With A Very Murray Christmas, "we wish you a Murray Christmas." This Christmas musical comedy film directed by Sofia Coppola, and written by Coppola, Bill Murray, and Mitch Glazer. The film follows Bill Murray as he rounds up an all-star for an evening of music, mischief and barroom camaraderie in this irreverent twist on holiday variety shows.

In October 2014, the film was announced as a Christmas special with Murray to star and Coppola set to direct. In May 2015, Netflix picked up the film written by Murray, Glazer, and Coppola, as a homage to classic holiday variety shows and specials, with George Clooney, Paul Shaffer, Amy Poehler, Julie White, Dimitri Dimitrov, Michael Cera, Chris Rock, David Johansen, Maya Rudolph, Jason Schwartzman, Jenny Lewis, Rashida Jones, and Miley Cyrus. Principal photography took place at the Carlyle Hotel and its Bemelmans Bar, in New York City. Initially, rapper Rick Ross was scheduled to sing Santa Claus Wants Some Lovin' with Murray, but when Ross became unavailable, Clooney filled in. Also, Cyrus' acoustic version of Silent Night was a last-minute addition 

The film features an ensemble cast that includes Murray, Clooney, Shaffer, Poehler, White, Dimitrov, Cera, Rock, Johansen, Rudolph, Schwartzman, Lewis, Jones, and Cyrus. Murray was at his most accessible during the show, sharing the difficulties of hosting a special during the holidays. Though the whole affair was relatively underwhelming for Murray and the wildly eclectic ensemble cast. But to his credit, he seems to have recognized this flaw in her brand strategy and has been working overtime of late to humanize himself. Anyone who watches the special will definitely gain a new appreciation for him.

A Very Murray Christmas dynamic and positive special that highlights the importance of sharing time with loved ones during the holidays, even if they are celebrities. Nothing in the special destroys the image of Murray. However, the potential for a Murray holiday special was never given room to materialize. The choice to combine Murray and Christmas may have reached out to a broader audience, but the incongruence of the special's various parts was bound to frustrate a sizable portion of that audience. The special feels like nothing more than a cross-promotional commercial. The songs and their singers chosen were less fit for a Murray Christmas special, and no one seemed willing to stray too far from the show's message. The aim for holiday timelessness, was for the cast to come to Murray's help. If the fifty-six seemingly endless minutes of the special had a predecessor, it might be the long-suppressed Star Wars Christmas Special (1978), though nothing here was so outrageously wrong (or right) that people will still be bootlegging this one in 35 years' time. At least there was a familiar 'why is this happening?' question hovering over the star-crossed proceedings, albeit without the benefit of any guest stars as seriously wacky as that one's to show up and redeem the incongruousness. Sadly, this will be remembered as an average holiday special that nobody will talk about.

Simon says A Very Murray Christmas receives:

Also, see my review for The Bling Ring.

Tuesday, 1 December 2015

Film Review: "Creed" (2015).

"Your legacy is more than a name"
. This tagline is front and centre in the ring for Creed. This sports drama film, co-written and directed by Ryan Coogler. It is the seventh Rocky film, whilst serving as a spin-off, as we see the former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.

The story of this champion's rise to the ring began in July, 2013, when it was announced that MGM had signed on with Fruitvale Station (2013) director Ryan Coogler to direct a spin-off of Rocky. The film would focus on a young man following in the footsteps of his late father, Apollo Creed, and getting a mentor in the now-retired Rocky Balboa. Michael B. Jordan was set for the role of Creed's son, Adonis Creed, and Sylvester Stallone was set to reprise his character of Rocky. Original producers Irwin Winkler and Robert Chartoff would produce, along with Stallone and Kevin King-Templeton. This is the first film in the series that was not directed or written by Stallone. In November 2014, real-life boxers Tony Bellew and Andre Ward joined the film, with Bellew to play a fighter, "Pretty" Ricky Conlan, the main opponent for Creed. Shooting was set to begin in January 2015, in Las Vegas and Philadelphia. In December 16, Tessa Thompson was added to the cast as the female lead. In January 2015, Phylicia Rashad reportedly joined the film to play Mary Anne Creed, Apollo's widow. In January 2015, Graham McTavish tweeted about his involvement in the film. Filming began in January 2015 in Liverpool, and later moved to Philadelphia, and shot in all the iconic locations. Front St Gym is on Clearfield Street. Mighty Mick's gym is on Front street. Both gyms are located in the Kensington section of Philadelphia. Adrian's Restaurant scene was filmed at The Victor Cafe in Philadelphia. During the climatic match between Creed and Conlan, Stallone requested that Jordan wear the famous American flag trunks that Apollo Creed wore in Rocky (1976) and Rocky wore in Rocky III (1982) and Rocky IV (1985) to keep tradition in the Rocky universe. Coogler wanted to uphold the series' father/son theme. "It's a sport where you need to lean on other people", the filmmaker said. "You see fighters have this bond with their trainer. We saw it with Tyson and Cus D'amato. We saw it with Rocky and Mick. It's a very special bond. We wanted to capture that." Coogler, who grew up watching the Rocky films with his family, wanted to tell a personal story much like he did with Fruitvale Station.

Despite a new champion in the ring, it almost didn't happen. Stallone was initially apprehensive about revisiting. "I said, 'No, no, no'... It was a struggle to get the last one done and I was so happy with Rocky Balboa and the conclusion of Rocky's story that I thought, 'We don't need to go any further with it.' I dismissed his idea." But it was the director's persistence that led him to reconsider. Later Stallone has expressed his pride in being a part of a story. "What's amazing is that this character and these stories have stayed around without any special effects, without any car chases, without blowing anything up, which is what I usually do, no bullets, no cursing, no sex scenes... That's what I think is so phenomenal. That a generation that wasn't even around when we did the third one, forget the first one, would embrace this and take it to a new level." Jordan credits Sylvester Stallone with putting him at ease while he joined a cinematic legacy. "Sly did the biggest thing for me, which was to take that pressure off of me... to not worry about competing or living up to what the other Rocky films were - just to be myself." Carl Weathers, who played Apollo Creed, gave his strong endorsement to the movie and Jordan's performance. Jordan felt extremely honoured. Just as the film was entering pre-production, Stallone's oldest son Sage Stallone died of a heart attack. Stallone has admitted that the loss almost sent him into a full breakdown, but Coogler was eventually able to convince him to use the film as a dedication to Sage, focusing specifically on the father-son relationships that appear in it. Although initially resistant, Stallone said at the Golden Globes that Creed helped him cope with Sage's death.

The film stars Jordan as Adonis Johnson Creed, Apollo's son, with Stallone reprising the role of Rocky Balboa in his seventh Rocky film. It also features Tessa Thompson, Tony Bellew, and Graham McTavish. The cast gave stellar performances, especially to Jordan and Stallone. Jordan brought a raw and intense swagger to the Rocky role and made it his own. In addition, Jordan was the perfect choice to play this character. Coincidently, Jordan was born in 1987, 2 years after the fictional death of Apollo Creed. So he is the perfect age to play Adonis. As for Stallone, despite making countless mindless action films and being told he's old for these kinds of movies, he's still got it! He perfectly played the part of the mentor that belonged to Burgess Meredith. Funny enough, Rocky is almost the same age as Paulie when he trained Rocky in the first film.

Creed is a crowning achievement in the careers of Coogler, Jordan and Stallone. In addition to a heart-warming script, Jordan has created a character of equal appeal and charm but funny, gruff but good-hearted nature as Rocky. However, the story does feel achingly familiar at times, though Jordan and Stallone have a certain power, they are certainly not the weakest elements in the film. In the end, this film is the real deal, offering a raw, gritty feel that none of the slicker sequels even attempted to replicate.

Simon says Creed receives: